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The 2017 reissue program saw Marillion’s catalog treated with the archival reverence it deserves. Remastered from the original analog master tapes by sound engineer Steven Wilson and the band's long-time associates, the 2017 edition fixes many of the dynamic compression issues prevalent in early CD pressings of the 1980s and 1990s. Why 24-bit FLAC Matters
In the realm of progressive rock, few bands have managed to captivate audiences with the same level of emotional depth and musical complexity as Marillion. Formed in 1979, this British quartet has built a devoted following across the globe, thanks to their innovative blend of intricate instrumentation, soaring vocal melodies, and poignant lyrics. Among their most beloved albums, stands out as a seminal work, a concept album that continues to resonate with listeners to this day. In 2017, this masterpiece was re-released in a stunning 24-bit FLAC format, offering audiophiles and longtime fans an immersive listening experience like no other.
By the mid-1980s, punk and new wave had largely pushed 1970s style progressive rock out of the mainstream. Marillion defied this trend. Misplaced Childhood became a massive commercial success, reaching number one on the UK Albums Chart and spawning the hit singles "Kayleigh" and "Lavender." Marillion - Misplaced Childhood -2017- -FLAC 24...
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The 24-bit/96kHz format allows for a wider dynamic range and deeper sonic texture, bringing out nuances in Mark Kelly’s keyboards and Steve Rothery’s guitar solos that were previously buried in the original mix.
: Reviewers note the vinyl version typically measures around DR11 , while the digital CD-quality version measures DR10 , indicating a well-preserved dynamic range that avoids "loudness war" compression. This public link is valid for 7 days
For the dedicated audiophile, the verdict was clear: the 2017 24-bit FLAC version and the 5.1 surround remix are the definitive editions of Misplaced Childhood . They represent a perfect marriage of a timeless classic and modern archival technology, delivering an unparalleled listening experience that honors the original while revealing its hidden depths.
The 1980s were notorious for specific production trends, often characterized by heavy digital reverb, thin drum sounds, and compressed dynamics. While Chris Kimsey’s original 1985 production was excellent for its time, modern audio technology allows for a much clearer view into the band's studio performance.
The emotional centerpiece benefits from incredible vocal depth. Can’t copy the link right now
The concept for the album was born from a remarkably surreal and specific experience. Fish claimed he conceived the album's narrative during a 10-hour LSD trip. While staring at a print of a painting called "Padres' Bay," he felt the presence of a child dressed as a soldier standing behind him on the stairs. This fleeting, drug-induced vision became the cornerstone for a sprawling exploration of adolescence, lost love, the pressures of sudden stardom, and the process of personal acceptance.
The second half of the album, beginning with "Waterhole (Expresso Bongo)" and "Lords of the Backstage," delves into the grotesque underbelly of rock and roll excess, depicting the performers as frantic, self-serving entities. This climaxes in the expansive "Blind Curve," a suite broken into five movements that represents the emotional core of the protagonist's crisis. The journey finds its resolution in the powerful "Childhoods End?" and the triumphant, soaring finale of "White Feather," a track that symbolizes renewal and the decision to move forward.
| Track | Title | Length | |-------|-------|--------| | 1 | Emerald Lies (Live) | 5:32 | | 2 | Blind Curve (Live) | 6:48 | | 3 | Childhoods End? (Live) | 4:45 | | 4 | White Feather (Live) | 2:28 |