His approach is holistic, following a five-step process for every photograph:
Position the reflector low (near the ground) for a “golden rim” effect on the bride’s hair and veil—this subtle lift can be the difference between ordinary and ethereal.
Jerry dedicates a significant portion of his tutorial to working with flash. He covers: His approach is holistic, following a five-step process
To learn directly from Jerry, visit JerryGhionis.com or explore his Westcott University tutorials . Share public link
Now, let's dive into some of Jerry Ghionis' favorite lighting techniques for wedding photographers: Share public link Now, let's dive into some
Wedding photography is a high-pressure environment where there are no do-overs. In the blink of an eye, a photographer must handle changing lighting conditions, from the soft light of a morning bridal prep to the harsh, direct sun of an outdoor ceremony, and the dark, moody ambiance of a reception hall.
Hotel rooms often have warm, overhead tungsten lights that create ugly color casts. Turn them off and rely entirely on the cool, soft light of a window. Turn them off and rely entirely on the
Hold a small video light directly over the wedding rings or invitation suite.
Ghionis rarely shoots with the sun directly in his subjects' faces. Instead, he often positions them with the sun behind them, turning them into silhouettes or using backlight to create a "halo" effect.
When exploring legitimate sources for Jerry Ghionis's training, keep an eye out for these important details: