Perhaps no sector has experienced a more dramatic transformation than the film industry. For decades, Indonesian cinemas were a battleground where local productions struggled to compete with the might of global studios. That equation has now reversed entirely. In 2025, year-to-date box office admissions stood at 55.8 million for local films, capturing a commanding 63% market share, compared to just 33.4 million for imports (37%), for a total of 89.2 million admissions. By the end of the year, overall cinema admissions reached 127.32 million, with local films accounting for a 64% share. This builds on the momentum of 2024 and industry projections show Indonesian films reaching 100 million admissions annually by 2026, with overall growth forecast at 10% per year. Film output is expected to rise from 152 titles in 2024 to around 200 by 2028, while screen count is projected to reach 2,700 by 2030.
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The global breakthrough of contemporary Indonesian cinema began with action films like The Raid (2011), directed by Gareth Evans and starring Iko Uwais. The film introduced the world to Pencak Silat, Indonesia’s traditional martial art, and established a blueprint for high-octane action choreography that influenced Hollywood filmmaking. Perhaps no sector has experienced a more dramatic
In recent years, the Indonesian film industry has experienced a significant "renaissance." Genre-bending directors like and Timo Tjahjanto have gained international acclaim, particularly in horror and action. Films like The Raid and Pengabdi Setan (Satan's Slaves) have moved beyond domestic screens to become global cult hits, proving that Indonesian storytelling can compete on the world stage. The Music Scene: From Dangdut to Indie In 2025, year-to-date box office admissions stood at 55
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The way Indonesians consume media is changing rapidly, shifting from traditional television sets to smartphone screens. Sinetron: The Domestic Staple
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