Beyond the direct tool instruction, the workshop is built upon several fundamental 3D art principles that are critical for any environment artist:
While this workshop was released in the early 2010s, its principles are timeless. The emphasis on remains relevant even as software updates to newer versions of ZBrush or V-Ray. This course is ideal for:
Moving from raw sculpts to realistic, weathered surfaces. Beyond the direct tool instruction, the workshop is
(High Dynamic Range Imaging) and physical camera setups to achieve realistic results. Workshop Structure
Advanced rendering techniques to showcase your portfolio. 💡 Why This Course Stands Out (High Dynamic Range Imaging) and physical camera setups
Gnomon releases new Environment Sculpting DVD
Before we discuss the tutorials, it's important to know the teacher. David Lesperance is a powerhouse in the game art world, with a career that provides immense credibility to his teaching. He has worked as a senior environment artist for industry giants like , and is currently a General Manager and Creative Director at ProbablyMonsters. His "hot" tutorial is coveted precisely because it shares the process of a working professional who has created the stunning worlds for some of the biggest franchises in gaming. David Lesperance is a powerhouse in the game
While the focus is sculpting, an environment artist has to know where their work fits. Lesperance discusses how to prepare high-poly sculpts for game engines, ensuring your beautiful ZBrush work actually translates into a performant real-time asset.
David's experience includes high-level work for major studios such as Blizzard Entertainment, where he contributed to the cinematic divisions of Diablo 3 , World of Warcraft: Cataclysm , and the StarCraft projects. Later, he worked on the highly anticipated Halo 4 at Microsoft Studios. His portfolio also includes work on Mortal Kombat vs. DC Universe , Tony Hawk: Ride , and StarCraft II .
