As dancehall became increasingly slack, Cocoa Tea pivoted firmly toward conscious, Rastafarian-themed roots reggae. Working heavily with Philip "Fatis" Burrell’s XTerminator label, he became a voice of social commentary, peace, and spiritual uplifting.
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I Am Vengeance (1992): Known for its sharp lyrical content and heavy roots influence.
Cocoa Tea is known for incredible live performances.
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– A timeless commentary track cut on the classic "Far East" riddim.
Cocoa Tea has maintained consistent output with producers like Bobby "Digital" Dixon and King Jammy.
(With Shabba Ranks and Home T, 1991) – Continued the explosive chemistry of the trio under Gussie Clarke’s sophisticated digital production.
However, it was his sophomore effort, "Good as Hell" (2006), that catapulted Cocoa Tea to international recognition. The album's lead single, "Un No Way," became a massive hit in Jamaica and Europe, topping the charts and solidifying Cocoa Tea's status as a rising star in the reggae and dancehall scene.
His musical gift was a unique one. Known for his pristine, honey-toned tenor, his voice was smooth enough to convey romantic sentiment but powerful enough to deliver sharp social and political commentary. As a Rastafarian, his music was steeped in spiritual conviction, yet he was also one of the most adaptable artists in dancehall, able to flow effortlessly between roots reggae’s righteous convictions and dancehall’s feel-good ethos. Despite his short stature, Cocoa Tea was a musical giant whose influence continues to resonate across genres and generations.
Often considered his breakthrough, this album features early dancehall hits that established him as a premier vocalist. "Rocking Dolly," "I Lost My Sonia." 2. Tune In (1994)